Thinking Outside the Box Essay -- Biography, Albert Einstein

Thinking Outside the Box Imagine all the things one encounters during everyday life. Try to also imagine being a person who cannot stand not knowing how those things work. This was the kind of unique person that Albert Einstein was. His obsession with how things worked began when his father, Hermann Einstein, gave him a compass. The fact that the magnetic needle behaved as if influenced by some hidden force field, rather than through the more familiar mechanical method involving touch or contact, produced a sense of wonder that motivated him throughout his life (Isaacson 13). Einstein’s different way of thinking is one explanation for his vast knowledge. Albert Einstein’s accomplishments during his lifetime have greatly influenced today’s science world. Albert Einstein had a considerably normal childhood. He was born on March 14, 1879 in Ulm, Germany. He had a younger sister named Maria but the family called her Maja. She was born in November 1881. When Einstein met his baby sister for the first time he had mistaken her as his new toy. His response was to look at her and exclaim, â€Å"Yes but where are the wheels?† (Isaacson 11). His father, Hermann Einstein, was a Jewish businessman who had a knack for math and whose job required him and his family to move frequently. Since Hermann was a businessman, Albert’s parents were considered middle-class Jews (Brita. Einstein’s mother, Pauline, was a homemaker and an accomplished pianist. Since Pauline had a love for music, naturally she wanted her son to have one as well. She arranged for Albert to take violin lessons. He was hesitant at first, but that quickly changed when he first heard Mozart’s sonatas. Music became both magical and emotional to him (Is aacson 14). When Einstei... .... He continued to exam the brain and came to the conclusion that Einstein had more brain cells than the considered normal amount (Bragg 156). It is still not definite if that is the cause for Einstein’s excessive knowledge. Albert Einstein was a man of many traits. He was wacky, eccentric, and sometimes a loner. He felt no desire to dress the part of a scientific genius. Sweatpants and a hooded jacket always sufficed. His accomplishments and achievements inspired many scientists to venture off into the unknown with hope of finding new information. Although some considered his nontraditional lifestyle a hindrance, he pushed through the inevitable and continued on with his life. There is no question that Albert Einstein is still the most influential scientist of the twentieth century or that his accomplishments have greatly influenced today’s science world.

Destiny, Fate, Free Will and Free Choice in Macbeth - Fates Triumph Es

Fate's Triumph in Macbeth       Shakespeare a fatalist in Macbeth? It would seem so, given the observation that the Macbeths capitulated totally to the evil suggestions of the witches. We shall clarify the concept of fate in this drama.    Blanche Coles states in Shakespeare's Four Giants the place of Fate in Macbeth's life:    Then, like a cog slipping naturally into its own notch, his thoughts turn to the Witches and their prophecy, and he concludes that he has defiled his mind for the descendants of Banquo he has murdered the gracious Duncan for them; he has poisoned his own peace of mind and given his immortal soul (eternal jewel) to the devil, the common enemy of man - all this to make the descendants of Banquo kings! Rather than face such an outcome, he challenges Fate to enter the lists with him against Banquo and champion him to the last extremity, even though that extremity be death itself. (57)    Macbeth: "If Chance would have me king, why, Chance may crown me without my stir." A.C. Bradley in Shakespearean Tragedy references Fate in the play to the Witches' prophecies:    The words of the witches are fatal to the hero only because there is in him something which leaps into light at the sound of them; but they are at the same time the witness of forces which never cease to work in the world around him, and, on the instant of his surrender to them, entangle him inextricably in the web of Fate. (320)    In Fools of Time: Studies in Shakespearean Tragedy, Northrop Frye stresses the connection between the witches and fate:    The successful ruler is a combination of nature and fortune, de jure and de facto power. He steers his course by the tiller of an immediate past and by... ...uin Books, 1991.    Coles, Blanche. Shakespeare's Four Giants. Rindge, NH: Richard R. Smith Publisher, Inc., 1957.    Coursen, H. R. Macbeth: a Guide to the Play. Westport, CN: Greenwood Press, 1997.    Frye, Northrop. Fools of Time: Studies in Shakespearean Tragedy. Toronto, Canada: University of Toronto Press, 1967.    Knights, L.C. "Macbeth." Shakespeare: The Tragedies. A Collectiion of Critical Essays. Alfred Harbage, ed. Englewwod Cliffs, NJ: Prentice-Hall, Inc., 1964.    Mack, Maynard. Everybody's Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.    Shakespeare, William. The Tragedy of Macbeth. http://chemicool.com/Shakespeare/macbeth/full.html, no lin.    Wilson, H. S. On the Design of Shakespearean Tragedy. Toronto, Canada: University of Toronto Press, 1957.

Text Analysis of Gerry Adam’s Speech After 1994 Ira Ceasefire

A) Who wrote the text, when, and what was their role? Gerry Adams in October 1994. Gerry Adams is the political leader of the nationalist party Sinn Fein in Northern Ireland. B) In what historical context was the text produced? Throughout the twentieth century, Northern Ireland has been divided in its identity and affiliations as a state and nation. There are those who say the entirety of Ireland should be one nation, separate from the sovereignty of Britain. And there are those who believe that even just parts of Ireland should still be loyal to the Crown and Britain. This civil war was also fuelled by sectarian conflict.Most Catholics were nationalists, and most Protestants were loyalists. On the second half of the twentieth century, paramilitary groups on both sides used a staggering amount of violence against each other, including a bombing attempt on former British Prime Minister Margaret Thatcher. It was only in the late 1980s that there has been significant progress in the pea ce process. This included the power sharing treaties such as the Anglo-Irish Agreement on 1985, and the Downing Street Declaration at 1993. At the end of August 1994, the Irish Republican Army announced a ceasefire of its paramilitary actions.C) What information can be gained from the text? Gerry Adams is of the view that Ireland should be able to exercise self-determination. He is also of the view that the British government is doing more harm than good, by stalling and intervening with the Irish nationalists. He likens the case of Northern Ireland to that of South Africa, where a new structure of government would advance the peace process. Gerry Adams also lists the ways that the British government has tried to intervene in Northern Ireland, specifically how they have all been failures.The failure of the previous Stormont Government, the B-Specials, and as well as the British government's failures in upholding their word. He accuses the British government of stalling advances of t he peace process. D) What significance did the text have in its own time? (i. e. How was it received, responded to, celebrated or decried? ) What problems may the text pose for the historian? It was both celebrated and criticised. Those of the nationalist mind supported Adam's speech. But there was also those that were skeptical of not only his speech, but as well as the actions that has taken place in the past few months.Adams also mentions that complete peace cannot be done overnight, and would involve inclusive dialogue from all parties. His speech reinforces what the conservative nationalists have believed all along. The ceasefire in August 1994, along with the loyalist ceasefire, created some ground in Sinn Fein's campaign in getting into peace talks. In December 1994, it was announced that Sinn Fein would be included in talks. So this speech was instrumental in determining the goal of Sinn Fein at the time, as well as furthering it into realisation. Those skeptical of the Augu st ceasefire definitely voiced their concerns.Permanency was the concept that the loyalists wanted. This speech does not even address the issue of permanency. This is a glaring omission in Adams's speech seeing as it was what the British government was waiting for to advance the peace process on their side. Adams addresses the loyalist response of a ceasefire. Though deeming it as forced and reluctant, he still sees it a step forward and a compromise. What does happen later on, not covered in this speech, is that the IRA announces that it will keeps its weapons unless the British government invites them into peace talks.The IRA would then say that they were ready to give up its arms later on in December, and that this was fundamental in Sinn Fein's entry into peace talks. Another thing this speech misses is an accurate view of the British government at the time. Adams's speech focuses on the future of peace talks and nationalist inclusion. The insight of the British government is ve ry very limited in the address. It would mention the past actions, and indeed failures, of British intervention in North Ireland. He would also say so without giving reasons or details on why they have failed, merely mentioning that they did.This dismissal of detail would not necessarily be integral in the purpose of his address, but by omitting facts such as these, the speech's integrity can be compromised and more vulnerable for criticism. Bibliography Adams, G. , 1994, ‘Address by Sinn Fein President Gerry Adams 24 October 1994' Sinn Fein, Northern Ireland, http://www. sinnfein. ie/print/15200, viewed 25 March 2013 Joint Declaration 1993 (Downing St. Declaration) http://www. foreignaffairs. gov. ie/home/index. aspx? id=8734, last updated 28 Jan 2009Reuter, 1994, ‘IRA vows to keeps its guns until Sunn Fein can join talks', Toronto Star, London, viewed 27 March 2013, ProQuest DOI 437104235 Schiller B. , 1994, ‘IRA truce triggers joy, and caution U. K. asks: Can ce asefire hold and is it enough? , Toronto Star, London, viewed 27 March 2013, ProQuest DOI 437101608 ‘News Briefing Britain, Sinn Fein and landmark talks', 1994, The Globe and Mail, London, viewed 26 March 2013, Proquest DOI 385090706 Watt, N. & Webster, P. , 1994, ‘Adams Clarifies Ceasefire Term; Gerry Adams; IRA; Northern Ireland', The Times, London, viewed 26 March 2013, ProQuest DOI 318187621

Are Electro-Acoustics and the Vernacular the Largets Developments in 20th Century Music?

EAMMON MSETFI Contextual studies (MU314) Convenor: Tim Howle Essay 1 Denis Smalley has suggested that the two most important musical developments in the 20th Century are the domains of the ‘electro-acoustic' and the ‘vernacular'. To what extent is his assumption correct? This piece will demonstrate an understanding of the developments in 20th century music, with a detailed view on the path and expansion of electro-acoustic technology and of the vernacular. This will also be highlighting the theoretical ideas that made these large developments possible and the technological innovations that created the foundations for both these areas.Total serialism After composers, Wagner and Brahms, who stretched the boundaries of tonality to breaking point (Wagner notably in, Tristan & Isolde, 1857), composers wanted to experiment with new ideas. Schoenberg was the first composer to approach composition with a completely new approach, not with typical tonality but with a ‘serial method’; this was later known as ‘12 tone’ music (all 12 tones of the chromatic scale are arranged in a fixed sequence know as a ‘tone row’, all 12 tones must be used in order for the piece to progress).Webern was soon to follow Schoenberg and became a pupil of his; he soon adopted his 12-tone method and found his own individuality within the domain. For Webern this meant a focused contrapuntal style in which every element formed complex connections, with every tone having an equal importance. Although Schoenberg consciously created the method, his connection with the tonal world was never cut. On the contrary, Webern gazed openly into the future. Early Webern pieces (prior 12-tone) it is clearly apparent the influence of Schoenberg, notably Op10 (1911-1913), where he xploited his mentors use of klangfarbenmelodie (tone-colour melody), which involved splitting a melody between multiple instruments, rather than allocating it to just one instrument, as a result, adding colour (timbre) and texture to the melodic line; the use of this method can also be seen in, Five piece string quartet (1909), The four pieces for violin & piano (1910) and The six bagatelles for string quartet (1911-1913). Schoenberg created ‘12 tone’ to control pitch, Webern extended the method to determine, dynamics, tone colour and rhythm; this was later entitled ‘total serialism’.As an alternative of using notes to generate a melody, he used them to create a colour. Webern’s melodic lines are atomized into two or three note fragments which are presented in frequently changing tone colour and register, this idea is used in modern vernacular music, many modern jazz musicians use his ideas on tone colouration as well as many electronic composers to this day. The mathematical similarities in Webern’s ‘total serialism’ helped the progression of electronic music and synthesized music.Many of Webern’s follow ers tried to extend the idea of ‘tone colour’ and the 12-tone technique to electronic music, notably Stockhausen who was greatly influenced by Webern’s serial technique. How Stockhausen’s influenced an electronic generation. Stockhausen began studying under Messaian with the influence of serialism, early pieces the influence can be seen from both, his mentor and Webern, notably in Kreuzspiel (1951), and Spiel (1952); the opening of Klavierstucke (1952) also began with firm serial principles.Stockhausen’s progression into electronic music began with his examination of acoustical sound, always committed to reconstructing sound synthetically by means of electro-acoustic equipment. Schaeffer allowed Stockhausen to work within the music concrete group in Paris, where he mainly recorded acoustical sounds then analysed them. After this analysis he discovered the relations of vibrations within sound, this innovation lead him to the idea of synthesized sound .After working with Schaefer his idea was not to emulate acoustic sound, but to realize the new potential of synthetic production, as a result, a completely new array of timbres can be constructed; this was not conceivable with traditional acoustic instruments. Herbert Eimert stated in his classification of notes, â€Å"the pure tone (sine-wave tone), free of overtones, which never appears in traditional music (or nature). It issues from the electronic production of sound.The sinusoidal tone system must therefore simply be a system of virtual relationship, from which a composer can create structures in the form of series, relationships, rows and other forms of organization† (P. 122 Karl H. Worner, 1973). Stockhausen’s first electronic compositions, Studie 1 (1953) being the first piece to be composed primarily with sinusoidal waves, utilizing an sine-wave generator he was able to construct complex timbres in mathematical series (the influence of integral serialism can be seen most here).This early experiment of what we now know as, additive synthesis was extremely influential to electronic and synthesized music. Studie 2 (1954) was very similar but the spectra of pure tones were radiated into a resonance chamber and re-recorded. The original sine waves were distorted to generate a similarity to noise occurrences. The piece Gesang der junglinge (1955) was the first piece to combine music concrete with electronic music. Stockhausen practised in this what we now would consider, subtractive synthesis.With the use of noise generators a full frequency spectrum can be achieved, for example white noise. The frequency bands can be filtered to produce a single band of frequency or even a single note, if precisely done. Stockhausen demanded that â€Å"electronic music should really be electronic music; its character is not to be found in imitating what already exists, but in lending itself to the discovery of completely new processes and facilitating their technical realization, so that with them can be achieved a synthesis of utterly new and unknown timbres† (P. 30 Karl H. Worner 1973). Stockhausen was a critic of popular music and its dependence on repetition, which he thought, was very predictably, although his work became very influential for popular musicians. His technique was most influential on popular musicians; he was amongst the first to implicate sampling and synthesized sound to compositions, the influence can be seen in Pop, rock and jazz in the 1960s notably on the Beatles Sgt Peppers (1967) album where an extensive use of magnetic tape sampling and tape delays were used.Many popular musicians have credited Stockhausen, his use of sampling and synthesized sound inspired a generation of popular music, where his techniques have developed. How Post-war recording technologies gave birth to electro-acoustic technology and popular music During the war, a mass demand for technology was created, Eric Hobsbawm describes t his period as a â€Å"technological earthquake† (P. 41 Timothy D. Taylor, 2001); this necessity for communications technology was vital for the war effort.Throughout this period the Germans created Magnetic tape to send coded messages, as well as to record radio broadcasts (this was later used extensively in early electro-acoustic compositions). After the Americans seized the magnetic tape technology, it was developed with higher fidelity to be used in film and radio. Reproduction technologies had an impact on the evolution of electro-acoustic equipment. Schaeffer’s piece Etude aux Chemins (1948) was one of the first electronic compositions of the 20th century, which became very influential to modern day sampling.Corporations responsible for the creation of musical instruments in early 20th century had â€Å"no vocation for economic suicide† (p. 7 Simon Emmerson, 1986), this led to them only adjusting existing instruments, therefore it was not viable for the cre ation of new inventions; it was not in their best interests. â€Å"Our civilization sees itself too smugly in the mirror of history; it is no longer creating the needs which would make renewal an economic necessity† (P. 7 Simon Emmerson, 1986). h The first half of the 20 century saw considerable progression within the domains of sound reproduction tools and the sizeable escalation of the recording industries; this developed electronic technology and in turn, developed new styles of vernacular music. This technological innovation laid the foundations for new vernacular music such genres as rock, hip-hop, etc. Due to this development, where the existence relied on electronics to produce the sound, musicians started to embrace technology. This combination of science and music started to form a complex connection.Prior to first commercially available synthesizer, created by Robert moog, much electronic works were very much based in academia and research facilities (due to sheer s ize and cost), this soon lead to a shift in musical culture. The synthesizer produced sound by â€Å"vibrating objects that are positioned close to one or more electrical coils, in between a light source and a photoelectric cell or in direct contact with a piezoelectric crystal† (P. 47 Hans-Joachim Braun, 2002); this creation gave composers endless opportunities from complex timbres to the imitation of acoustical instruments.It spread from being a specialist’s use to common use in many new style of music (as can be soon today with the thousands of bedroom studies, etc. ), this was due to the drop in price of the transistor in the 1960s. This revolutionized music, many popular musicians soon adopted the creation of the synthesizer, there generally wasn’t a ‘pop’ composition that didn’t contain some sort of electronic synthesizer in the 1980s; the Moog’s use can be seen in the production of Diana Ross and the rolling stones.It is my pers onal feeling that recording technology was one of the largest developments of the 20th century; it provided the foundation for electro-acoustic technology, this new found knowledge also allowed the spread of diverse cultures to different places in the world and created new vernacular music. The development of popular music Some popular music was designed to appeal to a mass market, and a number of them were supposed to be very catchy and memorable. With the advent of recording technologies and radio of early 20th century, music could be shared with the masses, and all economic backgrounds.In 1948 the first mass produced electric guitar was released. With the advent of the electric guitar came the creation rock and roll, (which heavily relied upon an electrical source) a mixture of rhythm and blues this new music hit the market, appealing to a mass audience; â€Å"To produce sound, an electric guitar senses the vibrations of the strings electronically and routes an electronic signal to an amplifier and speaker. The sensing occurs in a magnetic pickup mounted under the strings on the guitar's body† (P1 Marshall Brain ).This new development gave musicians more flexibility to affect the timbre of the instrument, with such electro-acoustic modules such as fuzz wah pedals and reverb. This change allowed musicians to have more control over their sound and how it was modulated, and consequently revolutionized music. The development of electronic equipment had great effect on music, the invention of these instruments developed a new popular market; it created a non-classical vernacular music which was aimed not at just a select demographic but a widespread audience. 950s saw the creation of the first ever ‘pop’ music charts; this saw Elvis become one of the first popular global sensations. The 1960s saw the Beatles became global, heavily influenced by such electro-acoustic composers as Stockhausen, set a popular music standard of writing their own l yrics and songs. Before the Beatles many pop artists were manufactured as a face instead of raw talent, (this is now becoming more apparent in 21st century music). The creation of transistor radios helped expand popular music, an individual now could listen to the radio and their favourite songs anywhere.With the arrival of samplers a new style of popular music was created, hip-hop was the first genre to be made with the skill of sampling, using prior popular music styles such as jazz and funk as influence, this technique was created by Stockhausen and Schaefer but with the advent of the sampler, was developed to be used in the common home. The advent of Music channels such as MTV had great influence on the promotion of popular music, giving the artist great visual appeal to the demographic. Popular music takes many influences from several genres, jazz, gospel, classical etc. ut the technological growth excelled the development of what we now as mainstream music. Conclusion To concl ude, Webern’s method of total serialism had great impact on the development of electro-acoustic equipment; his ideas of tone coloration were used in the development of electronic and synthesized music, which in turn developed new vernacular music. Stockhausen with the inspiration of total serialism, influenced a whole new generation of electronic music, his use of synthesized sounds and early forms of additive and subtractive synthesis shaped the electronic music era.All of the technological and theoretical innovations in the 20th century music helped develop electro-acoustics and vernacular, without these advances the development of the two would not have existed. It is my thought that both these are the two largest developments in 20th century music but credit should also be given to the areas, which made these changes possible. Bibliography Arnold Whittall (2003). Exploring Twentieth-Century Music. New York: Cambridge University press. 21-26. Ben Kettlewell (2001). Electro nic Music Pioneers.Vallejo: Course Technology Inc. 54-57, 77-93. Ethan Haimo (2009). Schoenberg’s Transformation of Musical Language. New York: Cambridge University Press. 1-8. Hans-Joachim Braun (2002). Music and Technology in the Twentieth Century. 2nd ed. United States of America: The Johns Hopkins University Press. 47-55. Joan Peyser (1993). Twentieth Century Music The sense behind the sound. New York: Pro Am Music Resources. 21-34, 63-71. Karl H. Worner (1973). Stockhausen life and work. London: Faber and Faber Limited. 118-154. Paul Griffiths (1981).Modern Music The avant garde since 1945. London: J. M. Dent & Sons Ltd. 13-31, 34-51. 6 Simon Emmerson (2000). Music Electronic Media and culture. Hampshire: Ashgate Publishing limited. 36-50, 70-80. Simon Emmerson (1986). The Language of Electroacoustic music. London: The Macmillan Press LTD. 1-30, 61-70. Timothy D. Taylor (2010). Strange Sounds. New York: Routledge. 1-78. David Paul. (1997). Karlheinz Stockhausen. Availabl e: http://www. stockhausen. org/stockhausen%20_by_david_paul. html. Last accessed 1st Nov 2012. Gregory McNamee. 2008). 1948 and the Birth of Rock and Roll Music. Available: http://www. britannica. com/blogs/2008/01/1948-and-the-birth-of-rock-and-rollmusic/. Last accessed 1st Dec 2012. Greg R. (2007). Pop Music Origins/Development?. Available: http://answers. yahoo. com/question/index? qid=20080703134820AA4fsJU. Last accessed 4th Dec 2012. Jeff Harder. (/). How synthesizers work. Available: http://electronics. howstuffworks. com/gadgets/audio-music/synthesizer. htm. Last accessed 4th Dec 2012. Mike Krzyzaniak. (/). Stockhausen's Studies I and II.Available: http://michaelkrzyzaniak. com/Research/Stockhausen_Studie_II/. Last accessed 4th Dec 2012. Marshall Brain. (/). How Electric Guitars Work. Available: http://entertainment. howstuffworks. com/electric-guitar1. htm. Last accessed 4th Dec 2012. Michael Manion. (/). FROM TAPE LOOPS TO MIDI: KARLHEINZ STOCKHAUSEN’S FORTY YEARS O F ELECTRONIC MUSIC. Available: http://www. stockhausen. org/tape_loops. html. Last accessed 4th Dec 2012. Shine music school. (/). The History of Pop Music. Available: http://www. shinemusic. com. u/musicresources/history-of-pop-music. aspx. Last accessed 1st Dec 2012. Synthhead. (2010). Karlheinz Stockhausen’s Electronic Music Tips (For Aphex Twin, Plastikman & Others). Available: http://www. synthtopia. com/content/2010/10/15/karlheinz-stockhausenselectronic-music-tips-for-aphex-twin-plastikman-others/. Last accessed 15th Nov 2012. 7 Denis Smalley has suggested that the two most important musical developments in the 20th Century are the domains of the ‘electro-acoustic' and the ‘vernacular'. To what extent is his assumption correct?Tom Gersic. (/). Early Electronic Music. Available: http://www. gersic. com/writing. php? id=3. Last accessed 1st Nov 2012. Tim Whitelaw. (2003). Karlheinz Stockhausen Electronic music pioneer. Available: http://www. soundonsound. com /sos/mar08/articles/stockhausen. htm. Last accessed 4th Dec 2012. Wikipedia. (5th Dec 2012). Moog synthesizer. Available: http://en. wikipedia. org/wiki/Moog_synthesizer. Last accessed 6th Dec 2012. Wikipedia. (12th Dec 2012). Pop music. Available: http://en. wikipedia. org/wiki/Pop_music. Last accessed 5th Nov 2012. 8 9

Reflection Paper †Entrepreneurship in Health Care Essay

Growth in the health care industry has been experienced over the past ten to twenty years. Prior to the Social Security Act of 1965, the term innovation or entrepreneur was not used much in healthcare. Since the introduction of the government 3rd payer system, innovation and entrepreneurship has taken off. So, what is entrepreneurship in health care? This essay is going to look at the effects entrepreneurship has on health care and attempt to describe the positive and negative ways it has influenced health care today. What is an Entrepreneur?Debated for many years, this vital question to the study of entrepreneurship continues to be criticized and analyzed by some of the worlds leading researchers. â€Å"The origin of the word entrepreneurship is derived from the French word entreprende, which means to undertake, as in undertaking a particular activity† (Davison, 2008, p. 1). According to Davison, â€Å"the entrepreneur is a creator of value. In health care, this definition would mean that an entrepreneur in a person who creates value in the health care industry. Affect of Entrepreneurship in Health CareAmerican health care is the leader in the nation for seriously ill patients. The United States has had more Nobel Prize winners for medicine than any other country because of the commitment to innovation in health care. Citizens of American can be thankful for the innovative ideals that entrepreneurs have brought to our markets. People used to just shop for better prices on such items as airfares, lower hotel rates and even computers. Now, shopping for healthcare is a part of living in the United States. Websites such as â€Å"WebMD, Revolution Health, and eHealthInsurance, now offer consumers up-to-the-minute information on medial conditions, drugs, and insurance options, as well as basic quality information on doctors and hospitals† (Howard, 2008). With all this information available, patients can intelligently talk with their physicians about the most current treatments available and about their options for treatment. The Positive and Negative AspectsTechnology has come a long way, especially in health care. To understand what has been happening in the health care industry, knowledge of where it came from is essential. Health care was  practically a paper and pencil industry and it was the last to make the change to technology which made it time consuming for health care providers. Not until the passing of the Social Security Act of 1965 was technology fully realized within health care. Since then, technology has been cited â€Å"as being the major driver of rising healthcare expenditures worldwide† (Burns, 2008). The positive aspect of the innovations of technology is the treatments and equipment brought about by innovative ideals that has developed into quality care. This quality of care has created a demand by patients and their physicians for more and more innovation by entrepreneurs. Another positive aspect of the new health care technology is â€Å"based on recent scholarly evidence, that such products contribute to increases in longevity and mobility, reductions in disease and pain, improvements in worker productivity and improvements in quality of life† (Burns, 2008). According to Burns (2008), a negative aspect is that the cost of all this new technology has accounted for â€Å"20 percent to 40 percent of the rise in health expenditures over the past forty years† Burns. Aside from better quality of care and increased longevity, evidence has not shown that more and more advanced technology will produce better outcomes or added value. Example of a Current Entrepreneurial BusinessThe example chosen for this essay falls under corporate entrepreneurship, which is discussed in Barringer and Ireland (2008, p. 6). Most people think of entrepreneurship as someone starting a new business; however, with corporate entrepreneurship an established firm will create new innovative products for their customers. MinuteClinic is one example of innovative ideals that comes out of the need to have quick healthcare available just like going into a local 24-7 drug store such as CVS Pharmacy. The ideal developed when the founder, Rick Krieger, need treatment for his son’s possible strep-throat. Due to the length of time it took for his son to be diagnosed he came up with the ideal of convenient walk-in clinics (MinuteClinic, 2008). The first MinuteClinic opened in Minneapolis, MN in May 2000. â€Å"They focused on seven common conditions. Strep throat, mono, flu, female bladder infections, ear  infections, sinus infections and pregnancy testing† MinuteClinic. The impact that these clinic has had on patients has been so successful that there more than 50 MinuteClinic health care centers that can be found in select CVS/pharmacy stores in Florida (MinuteClinic, 2008). Patients are now able to walk into a CVS Pharmacy and get quick health care. Most visits will take from 15 minutes to 1 hour depending on the symptoms of the patient. ConclusionTo conclude, it is apparent that an entrepreneur is an individual who seeks risk, has the need to work independently and pursues a business strategy of high growth and large profits. Real entrepreneurs thrive on uncertainty and find ways of finding the resources they need to achieve their goals. If they don’t have enough capital, they will find a way to get it. From a health care standpoint, an entrepreneur can be an individual such as Rick Krieger being innovative based on personal experience or it can be large corporations like Johnson and Johnson whose innovations have affect the lives of many. Entrepreneurship in healthcare is a fairly new concept; however, it is one that will continue to get larger and larger. References Barringer, B. A., & Ireland, R. D. (2008). Introduction to entrepreneurship. In Entrepreneurship: Successfully launching new ventures (2nd ed., pp. 3-35). Upper Saddle River, NJ: Pearson Prentice Hall. Burns, L. R. (2008). The business of healthcare innovation in wharton school curriculum. Retrieved January 11, 2009, from http://www.cambridge.org/catalogue/catalogue.asp?isbn=0521547687&ss=exc&utm_source=DOI&utm_medium=MultiLink&utm_content=0521547687&utm_campaign=CDIDavison, E. D. (2008). Entrepreneurship. Research Starters Busienss, 1, 1-12. Retrieved January 10, 2009, from EBSCOhost database. Howard, P. (2008). Health care’s new entrepreneurs. Retrieved January 11, 2009, from http://www.city-journal.org/printable.php?id=2702MinuteClinic. (2008). MinuteClinic becomes participating provider with Blue Cross and Blue Shield of Florida. U.S. Newswire. Retrieved January 11, 2009, from ProQuest database.

Cyber Bullying Essay Essay

â€Å"Give me some nude pics or I’ll post the picture of you last night at the party on Facebook †. This is an example of cyber bullying and nearly 43% of kids have been bullied online, 1 in 4 has had it happened to them more than once. However, you hold the power to change someone’s life with small actions. In other words, â€Å" Change can begin with simple actions/gestures â€Å". Nevertheless, everyone must be aware of how cyber bullying could affect somebody, to be alert of the situation, and how to prevent it from happening or helping a victim. Cyber bullying causes psychological, emotional, and physical stress. It can cause a higher risk of depression and anxiety. Being a victim of this abuse can lead to lower confidence, self-esteem, and your sense of security. It can affect your performance in school, also destroy your reputation, but worst of all, cyber bullying can lead to suicidal thoughts. Multiple teens have gave up their lives because of cyber bullying and for what ? A coward hiding behind a computer screen ? This needs to sto therefore if you stand up for your peers it does help and YOU can start a chain reaction. If you get trapped in cyber bullying, it is hard to get out because it is an on-going cycle and the bully can see you as a vulnerable target. It can affect you for the rest of your life if you don’t take action or help a friend. 1 in 10 victims will inform a parent or teacher, but what about the other 9 ? They hide it in until they are mentally suffering. We must change our actions and stand up to these bullies. Many others have been waiting for someone brave enough to take a stand, all it takes is one person and others may join to help stop it. However, if you are the victim don’t get deeply involved before its to late so show no emotion and interest in the situation and inform a trusted parent or guardian. One way to prevent cyber bullying is to know what to look for. Such as, signs of impression, harassment, and public humiliation. Afterwards, take immediate action. For example, attempt to identify the cause, stop responding to the bullies message, block the bully, change your account  settings and most importantly save the evidence. Next, get outside help but don’t wait too long or else it would be too late. If it gets that serious inform law enforcement. Finally, the best way to prevent cyber bullying would have nothing against you so the bully can’t work with anything. Also don’t participate in cyber bullying. For example, your friend is teasing someone online don’t participate, tell them to stop. If you stand up for others, others will too, it all starts with a simple action and people will join in. They are just waiting for someone brave enough. We must be aware of this situation and it all starts with a small action. If everybody joins in on this, those small actions can turn into a great opportunity to open the door and help these victims and resolve the matter. Everybody can help so we must stand by each other because together we are stronger. This is a serious situation and 90% of teens seen social-media bullying and said they have ignored it. We must change these actions to help our society.

Bike Service at Door Project System

The project would be one a kind of services in Australia. With this service, people can get their bike servicing at their doorstep. This project or service would be known as ‘Bike Service at Door’. There would be a mobile application for this project and people can book the appointment with a click. The executive of ‘Bike Service at Door’ would e and pick the bike at the appointed time (Krishan, 2012). The executive would get the bike services from the required service center. Once the servicing is done, the executive would bring the bike back to the owner. Initially, this project or this service would be launched in Sydney. The vision of the project is to make life easy and convenient for bike owners who are busy in their life and who does not have time to give bike for servicing. With this project, the bike owners can get the bike serviced at their doorsteps. The ou e is that the bike owners would not need to go to the service center to get their bike serviced (Suarez, 2014). To develop a mobile application and web portal for people to book the appointment with a click. The executive of ‘Bike Service at Door’ would e and pick the bike at the appointed time. The executive would get the bike services from the required service center. Once the servicing is done, the executive would bring the bike back to the owner The objective is to mobile application and web portal people to book the appointment with a single click. The output or the target state would be a website and a mobile application that the bike owners can use to book the service appointment for their bikes (Turner, 2014). It is targeted, the bike owners in Sydney would use this service as it would be ease and convenient for them to get the bike services without them going to the service station. The two key success criteria for this project can be discussed as: The mobile application and website would be developed that would be used by the bike owners to book the appointment (Kumar, 2012) There are enough executives that would go to the doorstep of people to collect the bike, deliver to respective service stations, and return the bike back to bike owners The people are ready to use this service and people would trust the executives to give the bike for servicing. There would not be any technological challenges to develop the website and mobile applications The service centers would accept the bike from the service executives who are not the owners of the bike. Corona-Suarez, G. A., AbouRizk, S. M., & Karapetrovic, S. (2014). Simulation-Based Fuzzy Logic Approach to Assessing the Effect of Project Quality Management on Construction Performance.  Journal of Quality and Reliability Engineering,  2014. Kim, D. Y., Kumar, V., & Kumar, U. (2012). Relationship between quality management practices and innovation.  Journal of Operations Management,30(4), 295-315.   Turner, J. R. (2014). The handbook of project-based management (Vol. 92). McGraw-hill. Antony, J., Krishan, N., Cullen, D., & Kumar, M. (2012). Lean Six Sigma for higher education institutions (HEIs) Challenges, barriers, success factors, tools/techniques. International Journal of Productivity and Performance Management, 61(8), 940-948.